Commit Graph

2 Commits

Author SHA1 Message Date
Dejvino
022c267888 Phase 3: look generation ("A" complete)
A track now yields a complete, coherent look with no input: palette,
per-section scene assignments, parameter sets, post and feedback settings.
Seeded from a hash of the decoded PCM, so a file always renders identically.

- palette.js builds in OKLCH, not HSL. HSL lightness is not perceptual, so
  evenly-stepped HSL palettes have colours that vanish and colours that
  dominate — which matters when nobody is supervising the choice.
  Regenerates until the contrast floor is cleared.
- Scenes are assigned per section KIND, not per section: a track's drops
  share a scene and the video reads as one piece instead of a shuffle.
- Family preference per kind keeps breakdowns off strobing glitch scenes.
- Section bias (energy/density/motion) carries track character into params
  without scenes knowing anything about audio.
- PaletteSource is the seam for cover art later; no scene would change.

Gate 9/9, including the look-space spread measurement (mean pairwise
distance 0.168 against a 0.08 floor) — the one check that catches a
generator that is deterministic and valid but visually collapsed.

Known gap, not a regression: all four battery tracks currently choose the
same two scenes. There are no 'minimal' family scenes yet, so intro and
outro sections fall through to flow/organic. Differentiation is presently
carried by palette alone. Phase 7 grows the library to fix it.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-05 11:18:37 +02:00
Dejvino
cb320557e6 Phase 1: offline audio pipeline
Whole-track analysis into a frame-indexed FeatureTrack. Nothing reads a
live AnalyserNode: realtime preview maps currentTime to a frame index,
export counts frames, both read the same rows.

- fft.js: radix-2 with precomputed tables, allocated once per track
- analyze.js: STFT at hop 1/60s with CENTRED windows (a window that starts
  at the timestamp reports energy arriving up to 23ms later, which reads as
  visuals lagging the music). Energy features normalised against the track's
  own percentiles; absolute stats kept in summary for the look generator.
- tempo.js: autocorrelation + grid F-measure, beat grid, downbeats
- segment.js: self-similarity novelty, boundaries snapped to the bar grid
- FeatureTrack: assembles everything, plus the lookahead fields. buildSlope
  rises through the bars leading into a higher-energy section, so a build can
  ramp into the drop rather than react after it lands.
- clicktrack.js: mixes clicks onto the detected grid for validation by ear

Three real bugs found and fixed by the tests:
- 174 BPM read as 87. Mean-energy-per-beat scores a half-tempo grid
  identically to the true one; only an F-measure penalises the missed
  onsets via recall.
- 90 BPM read as 180. Offbeat hi-hats make a double-tempo grid score
  perfectly on both precision and recall, so the grid is now interpreted
  metrically afterwards: a systematic strong/weak alternation means the
  real beat is every other grid point.
- Beat grid drifted ~30ms over 30s from integer-frame offsets. Onset peaks
  are now parabolically interpolated and the grid least-squares fitted.

Gates: 11/11 node tests against synthetic ground truth (tempo within 2%
across 90-174 BPM, beat alignment under half a frame, segmentation within
2s of a known boundary, graceful on silence, 6-minute analysis in 1.0s);
5/5 browser checks including audio-driven vs fixed-step frame parity.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-05 11:10:01 +02:00