Two devices that were built, wired up, and doing nothing.
OVERLAYS. buildStack gated layering on `surfaceOf(m) === 'composable'`, and
no scene in the library declared `surface` — so the only thing that could ever
sit on top was the one scene declaring `role: 'accent'`, and the overlay roster
excluded accents by construction. Empty intersection, every time: 0/144 stacks
carried an overlay. Every layered frame in every song was the same particle
field.
Labelled the library from the phase 12 coverage gate rather than by eye: the
37 scenes painting under 30% of the frame are composable. Particle Field loses
its privileged slot and becomes one of them, keeping only `background: false`,
which is the honest part — points in empty space cannot carry a section alone.
The reserved accent slot is gone; one roster, two passes at it. 1 distinct
overlay scene becomes 27, and the rate lands at 34% of stacks after trimming a
base chance that had been tuned while the branch was dead.
THE CAMERA. framing.shift moved the frame by a median of 0.029 of a half-frame
at a fresh random angle every shot, so successive offsets cancelled and the
median jump at a cut was 0.014. Present in every frame, visible in none.
look/Camera.js is the director's camera department: the story says tension,
order and which act a section is in, and this turns that into where the frame
looks and how it travels there. Each director names a camera. Jump distance
follows tension and act, speed follows energy, and the curve is one of four.
Cuts choose between reframing and matching, so two scenes can still read as one
place. Median offset 0.190, median reframe 0.135, and 94% of shots now move
during the shot rather than only at the cut.
Four new gates, each with a FLOOR — the device this replaces passed every
existing check while doing nothing, because the only bound was a ceiling.
Also lands the in-progress Epic 4 story layer it builds on: Story.js, phase 13,
and the direction statistic.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Sixty-five visualizers, six renders each, one per song — each carrying that
song's whole identity: its cast, ink, lattice, palette and a fresh parameter
draw. Side by side, a scene that cannot be changed by the song is obvious in a
way no aggregate could show, which is the complaint this answers.
It scores as well as shows. Each row carries the mean structural distance
between its own six frames, on the same descriptor the variety harness uses and
with colour excluded, so six palettes cannot disguise one image. Sorted
least-varied first, because browsing sixty-five scenes hunting for the
repetitive ones is precisely what a sort order should do for you.
The result names names. Thirteen scenes barely change across six songs, and they
fall into two groups that were already known separately. The ink-only
migrations — Analog Wow, Halftone Misprint, Pitch Shatter, Block Mosh, Scan
Tear — are the shallow tier flagged in MIGRATION.md, where the whole migration
was one posterisation. And Moiré Grid, Isometric Blocks, Quasicrystal, Truchet
Fold, Voronoi Shatter and Apollonian Gasket are the structural twin cliques the
library sweep found weeks of measurement ago, arriving here by a completely
different route: the sweep compared scenes to each other, the gallery compares a
scene to itself, and they agree on the same offenders.
debug.html collects the tools, since there are now enough of them that knowing
which to open is its own problem. It also carries the two things a newcomer
would otherwise learn the hard way: which measurements are safe to steer by
(direct render comparisons) and which are not (aggregate ratios), and what to do
when a page renders perfectly and does nothing.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Engine core: Timeline (fixed dt, audio-mastered in realtime), seeded Rng,
Renderer, Layer/ShaderLayer/SceneLayer, Compositor with blend modes,
feedback and post chain.
Shader scenes are compiled against a fixed uniform contract and define only
`vec4 scene(vec2 uv, vec2 p)`, so adding a scene costs a shader plus a
params block. Deep Nebula ported from party-stage as the first one.
Gate passes, 7/7 in checks.html:
- 300 frames rendered twice are bit-identical
- a fresh Engine reproduces the same frames
- simulated dropped frames change nothing (proves dt is fixed)
- seek matches sequential playback
- 320x180 vs 1280x720 agree within 0.010 (limit 0.06)
- seeded rng reproducible, forked streams independent
- compositor reset clears feedback history
Static gates: no wall-clock or unseeded randomness in deterministic
directories; scene schemas and shader sources agree in both directions.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
