The scene already had the depth axis the solid wants — near rows large, far rows small, converging on the track's horizon — which made the flat crown the one element in it drawn without perspective: a sticker facing the viewer on top of a receding structure. Each crown is now marched, and each pylon turns its own at its own angle, so a single field shows the form from a dozen sides at once. 12/12 on the gate, 7ms/frame at 4K against a 60ms ceiling. A hundred and sixty instances stay affordable on the two guards MIGRATION.md now documents, and here first-wins is the correct occlusion as well as the cheap one, because the rows are already walked near to far. IT MEASURES SLIGHTLY WORSE and the scene's header says so: 0.141 to 0.134 over 8 songs x 8 seeds, nearly all of it layout (0.156 to 0.126). Two candidate causes were tested and both came back flat — keeping the far rows stamped scored 0.132, and running the lit surface through inkPattern scored 0.132 here and moved Effigy by 0.0009. It is the solid itself: a body always fills its own silhouette, where a stamped cast form paints anywhere between an outline and a disc depending on whether the identity is hollow, and that swing was worth three hundredths of layout variety. Kept because the score does not measure what was wrong. A crown that ignores the perspective of the field it stands in is a defect no coverage variance reports, and the header records the number and the two-line revert for whoever disagrees. The inkPattern experiment is reverted rather than left in as a plausible-looking no-op, with its measurements written where the next person will look for them. Co-Authored-By: Claude Opus 5 <noreply@anthropic.com> |
||
|---|---|---|
| .. | ||
| .claude | ||
| src | ||
| test | ||
| tools | ||
| .gitignore | ||
| checks.html | ||
| debug.html | ||
| EPIC-2.md | ||
| EPIC-3.md | ||
| EPIC-4.md | ||
| filmstrip.html | ||
| gallery.html | ||
| HOWTO-variety.md | ||
| HOWTO-visualizers.md | ||
| index.html | ||
| LIBRARY-20.md | ||
| MIGRATION.md | ||
| package-lock.json | ||
| package.json | ||
| PLAN.md | ||
| README.md | ||
| SIDE-QUESTS.md | ||
| vite.config.js | ||
flow-state
Ambient/EDM music video generator. Drop in a track, get a full-length, non-story, music-reactive video. No sourced footage — every frame is generated, and the whole look is derived from the audio.
npm install
npm run dev # http://localhost:5180
Drop an audio file onto the page (mp3, flac, wav, ogg). Analysis takes a second or two, then the video is ready to preview and export.
How it works
The track is decoded and analysed before the first frame renders, into a table with one row per video frame: band energies, onset flux, spectral centroid and flatness, a phase-locked beat grid, section boundaries, and lookahead fields.
Nothing reads a live AnalyserNode. Realtime preview maps audio.currentTime to a
frame index; export counts frames. Both read the same rows, so what you preview is
what you export — the exporter has no render path of its own.
Analysing the whole track up front also buys the thing a causal analyser cannot do: a build can anticipate its drop and arrive at the transition already at full tension, instead of reacting once the drop has landed.
The story
Everything above happens at a moment. On top of it the track gets a story: a plot chosen per song, four moments found in the audio (arrival, turn, climax, resolution), and a position for every section — which of the four drops this is, not just that it is a drop.
That position moves what the video does. The kind's anchor scene is reserved for the climax rather than opening every section of its kind; the dials ratchet with each recurrence; the cutting rate follows tension and the resolution holds; the song's cast arrives over the video instead of being fully stated in the first shot; and under a return plot the outro re-casts what the intro opened on.
The story never overrides the song. Its moments are read off the section
energies, and its effect on parameter bias is bounded so it can decide which
drop this is and never whether a breakdown is one. D shows the current plot,
act and journey; the timeline marks the moments. EPIC-4.md has the design.
Working with it
space |
play / pause |
← → |
previous / next section boundary |
L |
loop the current section |
D |
debug HUD |
O |
toggle the corner title plate |
, . |
step one frame |
test render exports 20 seconds around the playhead at full export quality. Use it before committing to a full render.
reroll re-seeds the whole track; reroll section changes only the section under the playhead; lock protects a section from further rerolls. Every parameter the generator chose is exposed under the scene tab and can be edited live.
The metronome button (look tab) mixes an audible click onto the detected beat grid. If the clicks don't sit on the beat, tempo detection is wrong and everything downstream inherits it — check this first when a track looks off.
Checks
npm test # audio pipeline against synthetic ground truth
npm run lint:scenes # determinism grep + scene schema/shader agreement
http://localhost:5180/filmstrip.html renders every song in the bank as one frame
every 30 seconds, so a video that is busy and going nowhere is visible as a row of
interchangeable stills. http://localhost:5180/checks.html runs the GPU gates for
every phase. Add
?slow=1 for the full suite, ?phase=5 for one phase.
Seed variety test
Every other phase asks whether one video is correct. Phase 12 asks whether two videos are different — the one failure the rest of the suite cannot see, since a generator that ignores its seed passes determinism and liveness perfectly.
http://localhost:5180/checks.html?variety=1
Frames are reduced to a structural descriptor that is deliberately blind to brightness, contrast, hue and rotation, and sensitive to feature scale, orientation structure, composition, texture statistics and motion. Colour is measured but never counted — its job is to expose the case where two seeds differ only in palette. The score sits between two references the same instrument produced: the floor is how far one video travels from itself across its own sections, the ceiling is the same pipeline with every layer recast at random. Two checks gate the instrument itself before any number from it is trusted.
The report also prints direction: the rank correlation between how far apart two
probes are in time and how far apart they look. drift cannot tell a video that
travels from one that merely keeps changing, and a video with a story raises it on
purpose — so read the two together. A floor that rises with direction is an arc; a
floor that rises without one is a shuffle.
The report also sweeps all visualizations in the library, every pair, and
names the structural twins — different scenes that are the same look in
different colours, which the per-scene distinct gate cannot catch because it
compares raw pixels.
Adding a scene
Quick walkthrough: HOWTO-visualizers.md.
A scene is a shader plus a params block. Everything else — uniform binding, UI controls, seeded per-track sampling, arc automation — is derived from the schema.
export const myScene = {
name: 'My Scene',
family: 'organic', // flow organic minimal structural geometric glitch
kind: 'fragment',
params: {
density: { type: 'float', range: [0, 1], default: 0.5, uniform: 'u_density', bias: 'density' },
speed: { type: 'float', range: [0.1, 2], default: 0.5, uniform: 'u_speed', rate: true },
palette: { type: 'palette', count: 4 },
},
reactive: {
density: { feature: 'bandLow', amount: 0.3 },
},
shader: `
vec4 scene(vec2 uv, vec2 p) {
float t = u_time * u_speed + u_seed;
return vec4(palRamp(fbm(p * 4.0 + t, 4)), 1.0);
}
`,
};
Register it in src/scenes/registry.js, then run npm run lint:scenes and the
Phase 7 checks. Three rules the linter enforces, each of which has already caused a
real bug here:
- Anything multiplying
u_timemust berate: true. Phase iselapsed × rate, so modulating a rate jumps the phase byelapsed × delta— a minute in, a small wobble throws the image several whole units between frames. It measured as strobing at twice the accessibility limit. - Don't reuse a contract uniform name (
u_width,u_time,u_seed, …). It's a GLSL redefinition error, and the only symptom is a black frame. - Use
pal()/palRamp(), not hardcoded colours, or the look generator can't recolour the scene.
Scenes that composite over a background rather than being one declare
role: 'accent'.
Layout
src/
audio/ decode, STFT analysis, tempo, segmentation, FeatureTrack, metronome
engine/ Timeline, Renderer, Layer, Compositor, passes, seeded rng, flash safety
look/ palette (OKLCH), LookGenerator, ArcDriver, Story
params/ declarative schema, validation, serialisation
scenes/ the library — shader/ and layers3d/
export/ WebCodecs exporter
ui/ preview surface
checks/ phase gates, run from checks.html
PLAN.md has the full design and the reasoning behind each gate.
Forked from party-stage by copying what was useful, then fully detached — there
are no imports across the directory boundary in either direction.