music-video-gen/flow-state
Dejvino acc33cedd7 Epic 2.3: let the colour move across a track
The palette was generated once and pushed to every layer of every section for
the whole runtime. Five minutes, one scheme, no movement — and colour is the
strongest perceptual variable the system has, so freezing it wasted the
biggest lever available for making a long video feel like it is going
somewhere.

Deliberately not "a new palette per section". A track has one identity and
the palette is most of it; replacing it mid-video reads as a different video.
What moves is the palette ITSELF — rotated, warmed, opened up — so at four
minutes the image is somewhere the first minute implied. Four modes: static
(one in six or so, a held colour is a legitimate choice), drift (slow hue
travel across the whole track), sections (each kind gets its own offset, so
the colour tells you where you are), and lift (saturation and lightness
rising into a drop).

Movement happens in OKLCH, which needed the inverse of the existing
conversion: rotating hue in RGB changes brightness as a side effect, and that
artefact is the reason this project picked OKLCH in the first place. The
rotation is applied to every colour equally, so the scheme and the spread
that made the palette a palette survive the move.

Bounded on purpose at ±34° hue, ±35% saturation, ±0.07 lightness. A full
rotation would destroy the identity as surely as a new palette; the movement
has to be the kind you notice on a rewatch, not the kind you notice as an
effect.

Four new Phase 11 checks, two of which are the counter-checks that keep this
honest. Colour must actually move (weakest 0.232 channel distance across 18
moving tracks) AND must stay inside its identity. The contrast floor is
asserted at 1620 sampled points across the movement rather than at the two
ends, because a saturation lift can flatten a perfectly good palette
somewhere in the middle. The moved palette is memoised on a rounded shift,
and a fourth check proves a seeked frame gets bit-identical colours to a
played one rather than merely similar — that would have been an export-only
determinism fault.

47/48 on phases 7-11 slow; the one failure is the known load-dependent
Horizon Lines flake already recorded in d14d473. All determinism and
preview/export-agreement checks pass.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-06 07:45:12 +02:00
..
.claude Make grain a treatment, tempo a governor, and params commit harder 2026-08-06 07:04:27 +02:00
src Epic 2.3: let the colour move across a track 2026-08-06 07:45:12 +02:00
test Phase 1: offline audio pipeline 2026-08-05 11:10:01 +02:00
tools Six more visualizers, built through the scaffolder 2026-08-06 00:14:20 +02:00
.gitignore Phase 0: determinism spine 2026-08-05 10:59:30 +02:00
checks.html Phase 0: determinism spine 2026-08-05 10:59:30 +02:00
EPIC-2.md Epic 2: plan for holding five minutes 2026-08-06 07:23:57 +02:00
HOWTO-visualizers.md Make grain a treatment, tempo a governor, and params commit harder 2026-08-06 07:04:27 +02:00
index.html Make grain a treatment, tempo a governor, and params commit harder 2026-08-06 07:04:27 +02:00
package-lock.json Phase 6 WIP 2026-08-05 11:56:52 +02:00
package.json Phase 10: variety, twelve scenes, and tooling to write the next one 2026-08-05 23:59:20 +02:00
PLAN.md Make grain a treatment, tempo a governor, and params commit harder 2026-08-06 07:04:27 +02:00
README.md Add OSD with song name 2026-08-05 21:30:46 +02:00
vite.config.js Phase 0: determinism spine 2026-08-05 10:59:30 +02:00

flow-state

Ambient/EDM music video generator. Drop in a track, get a full-length, non-story, music-reactive video. No sourced footage — every frame is generated, and the whole look is derived from the audio.

npm install
npm run dev          # http://localhost:5180

Drop an audio file onto the page (mp3, flac, wav, ogg). Analysis takes a second or two, then the video is ready to preview and export.

How it works

The track is decoded and analysed before the first frame renders, into a table with one row per video frame: band energies, onset flux, spectral centroid and flatness, a phase-locked beat grid, section boundaries, and lookahead fields.

Nothing reads a live AnalyserNode. Realtime preview maps audio.currentTime to a frame index; export counts frames. Both read the same rows, so what you preview is what you export — the exporter has no render path of its own.

Analysing the whole track up front also buys the thing a causal analyser cannot do: a build can anticipate its drop and arrive at the transition already at full tension, instead of reacting once the drop has landed.

Working with it

space play / pause
previous / next section boundary
L loop the current section
D debug HUD
O toggle the corner title plate
, . step one frame

test render exports 20 seconds around the playhead at full export quality. Use it before committing to a full render.

reroll re-seeds the whole track; reroll section changes only the section under the playhead; lock protects a section from further rerolls. Every parameter the generator chose is exposed under the scene tab and can be edited live.

The click track button (look tab) mixes an audible click onto the detected beat grid. If the clicks don't sit on the beat, tempo detection is wrong and everything downstream inherits it — check this first when a track looks off.

Checks

npm test             # audio pipeline against synthetic ground truth
npm run lint:scenes  # determinism grep + scene schema/shader agreement

http://localhost:5180/checks.html runs the GPU gates for every phase. Add ?slow=1 for the full suite, ?phase=5 for one phase.

Adding a scene

Quick walkthrough: HOWTO-visualizers.md.

A scene is a shader plus a params block. Everything else — uniform binding, UI controls, seeded per-track sampling, arc automation — is derived from the schema.

export const myScene = {
    name: 'My Scene',
    family: 'organic',          // flow organic minimal structural geometric glitch
    kind: 'fragment',
    params: {
        density: { type: 'float', range: [0, 1], default: 0.5, uniform: 'u_density', bias: 'density' },
        speed:   { type: 'float', range: [0.1, 2], default: 0.5, uniform: 'u_speed', rate: true },
        palette: { type: 'palette', count: 4 },
    },
    reactive: {
        density: { feature: 'bandLow', amount: 0.3 },
    },
    shader: `
vec4 scene(vec2 uv, vec2 p) {
    float t = u_time * u_speed + u_seed;
    return vec4(palRamp(fbm(p * 4.0 + t, 4)), 1.0);
}
`,
};

Register it in src/scenes/registry.js, then run npm run lint:scenes and the Phase 7 checks. Three rules the linter enforces, each of which has already caused a real bug here:

  • Anything multiplying u_time must be rate: true. Phase is elapsed × rate, so modulating a rate jumps the phase by elapsed × delta — a minute in, a small wobble throws the image several whole units between frames. It measured as strobing at twice the accessibility limit.
  • Don't reuse a contract uniform name (u_width, u_time, u_seed, …). It's a GLSL redefinition error, and the only symptom is a black frame.
  • Use pal() / palRamp(), not hardcoded colours, or the look generator can't recolour the scene.

Scenes that composite over a background rather than being one declare role: 'accent'.

Layout

src/
  audio/      decode, STFT analysis, tempo, segmentation, FeatureTrack, click track
  engine/     Timeline, Renderer, Layer, Compositor, passes, seeded rng, flash safety
  look/       palette (OKLCH), LookGenerator, ArcDriver
  params/     declarative schema, validation, serialisation
  scenes/     the library — shader/ and layers3d/
  export/     WebCodecs exporter
  ui/         preview surface
  checks/     phase gates, run from checks.html

PLAN.md has the full design and the reasoning behind each gate.

Forked from party-stage by copying what was useful, then fully detached — there are no imports across the directory boundary in either direction.