music-video-gen/flow-state
Dejvino e6f5a2f0d5 Epic 2.5.2: make the framing actually reach the image
Revisiting the framing layer turned up that it was not reaching four of the
forty-two scenes, and that none of its gates could have told us.

Those gates check the PLAN — cue sizes, the distribution of shot sizes across
a population, headroom, seek determinism — and a plan that never reaches the
image passes every one of them. Rendered at wide, normal and close, Scan
Tear, Pylon Grid, Pitch Shatter and the 3D Particle Field came back
byte-identical at every size.

The cause was a category error in the first implementation. Framing was
applied inside sigCamera, which is gated on the `camera` personality trait —
so a scene that declined the track's drift and sway silently declined the
shot size as well. That gating is right for a TRAIT and wrong for framing,
which is not one: framing is where the camera is standing for this shot, and
no scene should be exempt from it because of an unrelated art-direction
decision.

- Framing now lives in the shader epilogue, applied to the coordinate every
  fragment scene is handed, so honouring it is not optional. uv is left
  unframed on purpose: it is screen space, and prev() and sigGrain belong to
  the output image rather than to the scene being filmed.
- Scan Tear and Pitch Shatter build their image from uv deliberately — a
  signal artefact happens to the signal, not to the world behind it. They now
  slice on raw uv and build the field they displace from a new framedUv(p),
  so the tear stays locked to the frame while the imagery behind it is filmed
  wide or close.
- Particle Field receives framing in update() and honours it as a camera
  dolly, which is what framing literally is when a layer has a real camera.
  Distance divided by scale, matching the fragment path where the coordinate
  is divided by it.

New gate renders instead of inspecting: 42 of 42 scenes now respond to
framing, weakest Ridge Terrain at 0.22 of its own brightness, against a 0.05
floor. Also drops a stale comment on Layer.setFraming that still claimed
sigCamera applied it.

105/105 checks pass including the slow set.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
2026-08-06 20:18:08 +02:00
..
.claude Make grain a treatment, tempo a governor, and params commit harder 2026-08-06 07:04:27 +02:00
src Epic 2.5.2: make the framing actually reach the image 2026-08-06 20:18:08 +02:00
test Phase 1: offline audio pipeline 2026-08-05 11:10:01 +02:00
tools Fix export frame loss: reject codec profiles that reorder frames 2026-08-06 13:10:24 +02:00
.gitignore Drop the scratch probes, and stop them coming back 2026-08-06 20:09:56 +02:00
checks.html Phase 0: determinism spine 2026-08-05 10:59:30 +02:00
EPIC-2.md Epic 2.5.2: make the framing actually reach the image 2026-08-06 20:18:08 +02:00
HOWTO-visualizers.md Make grain a treatment, tempo a governor, and params commit harder 2026-08-06 07:04:27 +02:00
index.html Fix export frame loss: reject codec profiles that reorder frames 2026-08-06 13:10:24 +02:00
package-lock.json Phase 6 WIP 2026-08-05 11:56:52 +02:00
package.json Phase 10: variety, twelve scenes, and tooling to write the next one 2026-08-05 23:59:20 +02:00
PLAN.md Make grain a treatment, tempo a governor, and params commit harder 2026-08-06 07:04:27 +02:00
README.md Add OSD with song name 2026-08-05 21:30:46 +02:00
SIDE-QUESTS.md Write up the three side quests Epic 2 left behind 2026-08-06 16:37:12 +02:00
vite.config.js Phase 0: determinism spine 2026-08-05 10:59:30 +02:00

flow-state

Ambient/EDM music video generator. Drop in a track, get a full-length, non-story, music-reactive video. No sourced footage — every frame is generated, and the whole look is derived from the audio.

npm install
npm run dev          # http://localhost:5180

Drop an audio file onto the page (mp3, flac, wav, ogg). Analysis takes a second or two, then the video is ready to preview and export.

How it works

The track is decoded and analysed before the first frame renders, into a table with one row per video frame: band energies, onset flux, spectral centroid and flatness, a phase-locked beat grid, section boundaries, and lookahead fields.

Nothing reads a live AnalyserNode. Realtime preview maps audio.currentTime to a frame index; export counts frames. Both read the same rows, so what you preview is what you export — the exporter has no render path of its own.

Analysing the whole track up front also buys the thing a causal analyser cannot do: a build can anticipate its drop and arrive at the transition already at full tension, instead of reacting once the drop has landed.

Working with it

space play / pause
previous / next section boundary
L loop the current section
D debug HUD
O toggle the corner title plate
, . step one frame

test render exports 20 seconds around the playhead at full export quality. Use it before committing to a full render.

reroll re-seeds the whole track; reroll section changes only the section under the playhead; lock protects a section from further rerolls. Every parameter the generator chose is exposed under the scene tab and can be edited live.

The click track button (look tab) mixes an audible click onto the detected beat grid. If the clicks don't sit on the beat, tempo detection is wrong and everything downstream inherits it — check this first when a track looks off.

Checks

npm test             # audio pipeline against synthetic ground truth
npm run lint:scenes  # determinism grep + scene schema/shader agreement

http://localhost:5180/checks.html runs the GPU gates for every phase. Add ?slow=1 for the full suite, ?phase=5 for one phase.

Adding a scene

Quick walkthrough: HOWTO-visualizers.md.

A scene is a shader plus a params block. Everything else — uniform binding, UI controls, seeded per-track sampling, arc automation — is derived from the schema.

export const myScene = {
    name: 'My Scene',
    family: 'organic',          // flow organic minimal structural geometric glitch
    kind: 'fragment',
    params: {
        density: { type: 'float', range: [0, 1], default: 0.5, uniform: 'u_density', bias: 'density' },
        speed:   { type: 'float', range: [0.1, 2], default: 0.5, uniform: 'u_speed', rate: true },
        palette: { type: 'palette', count: 4 },
    },
    reactive: {
        density: { feature: 'bandLow', amount: 0.3 },
    },
    shader: `
vec4 scene(vec2 uv, vec2 p) {
    float t = u_time * u_speed + u_seed;
    return vec4(palRamp(fbm(p * 4.0 + t, 4)), 1.0);
}
`,
};

Register it in src/scenes/registry.js, then run npm run lint:scenes and the Phase 7 checks. Three rules the linter enforces, each of which has already caused a real bug here:

  • Anything multiplying u_time must be rate: true. Phase is elapsed × rate, so modulating a rate jumps the phase by elapsed × delta — a minute in, a small wobble throws the image several whole units between frames. It measured as strobing at twice the accessibility limit.
  • Don't reuse a contract uniform name (u_width, u_time, u_seed, …). It's a GLSL redefinition error, and the only symptom is a black frame.
  • Use pal() / palRamp(), not hardcoded colours, or the look generator can't recolour the scene.

Scenes that composite over a background rather than being one declare role: 'accent'.

Layout

src/
  audio/      decode, STFT analysis, tempo, segmentation, FeatureTrack, click track
  engine/     Timeline, Renderer, Layer, Compositor, passes, seeded rng, flash safety
  look/       palette (OKLCH), LookGenerator, ArcDriver
  params/     declarative schema, validation, serialisation
  scenes/     the library — shader/ and layers3d/
  export/     WebCodecs exporter
  ui/         preview surface
  checks/     phase gates, run from checks.html

PLAN.md has the full design and the reasoning behind each gate.

Forked from party-stage by copying what was useful, then fully detached — there are no imports across the directory boundary in either direction.