music-video-gen/flow-state/HOWTO-visualizers.md
Dejvino 7d59ef8e5f Add Block Mosh, Neon City and Flora visualizers
Three new scene shaders to widen the library, now that the main families are
settled. Each is a shader plus a params block, registered in the single
source of truth (scenes/registry.js), so casting, UI, arc and checks pick
them up automatically.

- Block Mosh (glitch): a datamosh. Blocks pull the feedback buffer along
  per-block strokes on a bar-quantized grid so the corruption steps like an
  edit rather than crawling, and spills on onsets. Fills the most iconic
  gap in the glitch family.
- Neon City (structural): a receding skyline with instanced lit windows,
  distinct from the rolling ridgelines and the road grid it sits alongside.
- Flora (organic): an abstract plant of swaying stalks, teardrop petals and
  a bloom corona, all stamped in the track's signature shape.

Also adds HOWTO-visualizers.md, a quick reference for building the next one.
2026-08-05 20:31:05 +02:00

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# How to build a visualizer (scene)
A scene is **a fragment shader plus a params block** — nothing else. Uniform
binding, the generated UI sliders, seeded per-track sampling, arc drift and the
phase-gate checks are all derived from the schema. There is no per-scene wiring.
Reference: `src/scenes/shader/kaleido-tunnel.js` (simple), `block-mosh.js`
(feedback/glitch), `scan-tear.js` (beat-quantised), `metaballs.js` (loops).
Read these before writing anything.
## The shape of a scene
```js
export const myScene = {
name: 'My Scene',
family: 'glitch', // flow | organic | minimal | structural | geometric | glitch
kind: 'fragment',
traits: ['camera', 'style'], // which personality traits it honours (see below)
params: {
density: { type: 'float', range: [0, 1], default: 0.5, uniform: 'u_density', bias: 'density' },
speed: { type: 'float', range: [0.1, 2], default: 0.5, uniform: 'u_speed', rate: true },
palette: { type: 'palette', count: 4 },
},
reactive: {
density: { feature: 'bandLow', amount: 0.3, response: 'smooth' },
},
shader: `
vec4 scene(vec2 uv, vec2 p) {
float t = u_time * u_speed + u_seed;
return vec4(palRamp(fbm(p * 4.0 + t, 4)), 1.0);
}
`,
};
```
Register it in `src/scenes/registry.js` (import + push into `MODULES`). Done.
## The shader contract
You write one function: `vec4 scene(vec2 uv, vec2 p)`.
- `uv` is 0..1 across the frame; `p` is centred, aspect-corrected, ~-1..1 on the
short axis. **Work in these, never pixels** — scale pixel-sized things by
`u_pixelScale` so a 720p preview matches a 4K export.
- The preamble is injected for you. Never declare `main()`, `u_resolution`,
`vUv`, or any contract uniform yourself.
**Uniforms available** (see `engine/shader-contract.js`):
- Frame: `u_time`, `u_frame`, `u_progress`, `u_seed`, `u_resolution`, `u_aspect`,
`u_pixelScale`, `u_opacity`.
- Audio, filled per frame from the FeatureTrack: `u_loudness`, `u_rms`,
`u_bandSub/low/mid/high/air`, `u_flux`, `u_centroid`, `u_flatness`, `u_width`,
`u_beat`, `u_beatPhase`, `u_barPhase`, `u_phrasePhase`, `u_sectionProgress`,
`u_sectionEnergy`, `u_buildSlope`.
- Personality (`u_sigSides`, `u_sigDrift`, `u_sigLine`, …) — see below.
- Feedback: `u_prev` sampler, read with `prev(vec2 uv)` (returns the previous
frame's colour; black if none). This is what makes trails/smear/datamosh work
for free.
**Helpers** (already in the preamble):
- Palette: `pal(int)`, `palRamp(float)` — always use these, or the look can't
recolour the scene.
- Noise: `hash11/12/22`, `vnoise`, `fbm`, `curl`, `rot`, `kaleido`.
- Personality: `sigShape`/`sigForm`, `sigCamera`, `sigFolded`, `sigEdge`,
`sigGrain`, `sigHorizonY`, `sigAir`.
- `sat(x)` = `clamp(x, 0, 1)`.
## Param schema fields
- `type`: `float` | `int` | `bool` | `vec2` | `palette`.
- `range` `[min, max]` required for numerics; `default` required unless you want
range[0] (prefer explicit defaults).
- `uniform`: the GLSL name. Must be `u_*` and must not collide with the contract
(see "traps").
- `bias`: which track-character axis nudges sampling — `energy`, `density`,
`motion`. This is how a loud drop gets denser scenes without the scene knowing
about audio.
- `rate: true`: **mandatory if the shader multiplies `u_time` by this param.**
- `reactive`: `{ feature, amount, response }`. `response`: `linear` (default) |
`spike` | `smooth` | `inverse`.
## Personality traits (`traits`)
The look generator builds each track on a signature of 1-2 traits, and a scene
that doesn't honour **all** of them is never cast in that track — so the library
intentionally shrinks per track. Only declare what you genuinely use:
| trait | what to call | lint evidence |
|---|---|---|
| `shape` | `sigShape` / `sigForm` | a `sigShape`/`sigForm(` call |
| `camera` | `sigCamera(p)` | a `sigCamera(` call |
| `space` | `sigHorizonY` / `sigAir` | those calls or `u_sigHorizon/Depth/Wash` |
| `style` | `sigEdge` / `sigGrain` / `sigFolded`, or `u_sigLine/Soft/Texture/Fold` | the calls / those uniforms |
The lint greps your shader and fails a declared trait with no evidence. Declaring
`[]` (none) is valid.
## Traps that have actually bitten here
1. **Anything multiplying `u_time` must be `rate: true`.** Phase is
`elapsed × rate`; modulating a rate jumps the phase by `elapsed × Δrate` — a
minute in a small wobble throws the image several units between frames, which
measured as strobing at 2× the accessibility limit. So don't react a rate
param, and add a *bounded* term instead: `u_time * u_speed + u_bandLow * 2.0`
is fine; `u_time * (u_speed + u_bandLow)` is not.
2. **Never reuse a contract uniform name** (`u_width`, `u_time`, `u_seed`, …).
It's a GLSL redefinition error; the only symptom is a black frame.
3. **Don't modulate whole-frame luminance on the beat.** A per-kick min→max→min
cycle is exactly what the WCAG 2.3.1 / Harding 3-flashes-per-second ceiling
bans. Pulse a *small local* term (per-block tint) instead, and use `smooth`
responses on loud things. If it's glitchy, **quantise it**`floor(u_barPhase
* n) + floor(t * k) * n` makes corruption step on the grid instead of
crawling, which both reads better and stays below the flash rate (see
`scan-tear.js`, `block-mosh.js`).
4. **Determinism is absolute.** No `Math.random()`, `performance.now()`,
`Date.now()`, `new Date()` — use `hash*`/`fbm` for variation, and let time flow
through `u_time`/`u_frame` only. The lint greps for these.
5. **Set a base image.** A scene that only reads `prev()` is black for the first
frames and fragile under seek. Generate your own field underneath the effect.
6. Don't hardcode saturated `vec3(r,g,b)` literals when you declared a palette —
the lint flags more than two.
## Families
Chosen by section kind in the arc driver — a breakdown never lands on a strobing
glitch scene. Current counts (aim: 4-6 each): flow 2, organic 3, minimal 3,
structural 2, geometric 3, **glitch 3**. The thin families are the best place to
contribute next.
## Verify
```bash
npm run lint:scenes # schema/shader agreement both ways + determinism grep
npm test # audio pipeline (unaffected, but cheap)
```
Then the GPU gates in the browser at `http://localhost:5180/checks.html`:
Phase 2 (param range sweep — no NaN/black/white), Phase 5 (flash-rate sweep),
Phase 7 (per-scene acceptance: distinctness, liveness, animation, determinism,
4K budget). These iterate the registry, so a new scene is covered automatically
once registered.